dinky wrote:oh yeah...the reason I came in: watched Amélie</i>. actually liked it more than children</i>. didn't realize it was the same director until I started it up. oh, and after having seen children</i>, spud, I can't see much of whedon in A4 at all...except the sadistic jokes between ron perlman and dominique whatever. they took an awful chance on him at all based on children</i>. it definitely wasn't something that made me think: wow, he could do a killer aliens</i> movie.
Dellicatessen is his best film. i liked city of the lost chidlren. I hate alien4, and i've not seen amelie.
The shallow characters, the lame gun fights/action sequences, the dire plot, everything is screaming whedon. The visuals were very poor, and i think he's not responsible for the giant turd monster nor the 'sex scene'. I do think he's entirely responsible for the pathetic dialogue, the cliché ripley and the lack of originality, and tired movie. All the characters were utterly rubbish, I mean with the 'space pirates' oh come on, how more whedon can you get?
Then again Fincher had no script and he pulled off a far better movie, so I think blame must go to the director too. I'm not letting either off the hook, but i think scriptingm characters and plot are the worst things in Alien 4, and they all were whedon's responsibility, and quite clearly have his trade mark inadequcies.
Feel free to let him off the hook if you so desire and shift the blame, but I can't. Its quite clear to me, even on shallow viewing, where the wheedism in the movie lies.
I would be very much interested in him trying something different, he has yet to stray more than an inch from his templates though, and to be honest, I don't think they get any more appealing with repition, quite the opposite.