MyK wrote:I'm also concerned about the fact that present time Hiro failed to notice a sign on his sword's handle that he himself put there while time traveling to 17th (or was it 18th
) century Japan, even though it's his favorite artifact, yet Ando finds it almost immediately whilst fiddling with it for a mere minute or so.
If you time travel back to 17th century and put something on a sword's handle it'll then be there since then on regardless if your present self has already done the time traveling or not. And I find it difficult to believe present time Hiro wouldn't have noticed that sign on a handle of a sword he's so fond of
not to be captain obvious or anything, but I think the point is that he altered the past and, thereby, the future so the hollow in the hilt wouldn't have been there when hiro was fiddling in s1.
it's
back to the future 2 time travel logic (which I'd say is the most popular mechanic, but hollywood uses many varieties). different time lines are created. there is no single absolute time line. I think that's what's tripping/bothering you here. on the more mundane level, hiro was in awe of the thing and had sylar on his mind whereas hiro was fiddling with it as a piece of his lost friend that he wanted back (hence fiddling at all). but of course the truest answer is that they hadn't written the 17th cen. hiro bit yet. but that's cheap to hold against a serialized drama since it's routinely made-up on an ad hoc basis. only stuff like B5 is even remotely self-contained from start to finish, and even that (as jynks explained) underwent major plot renovations. not to say s2 is great. I like it. it's impossible to judge, I think, like jynks said because the end game isn't apparent yet. but there's some validity to the complaint that s2 is wandering aimlessly and taking apparent liberties with the plot based on s1.
just got back from
30 days of night. I had forgotten it was a comic book until the movie ended. I liked it. it reminded me a lot of
dog soldiers. same basic feral baddies. same basic irrelevance of what they looked like (dog soldiers wolves looked chincier cuz of the budgets, but they both have a kind of "here's what they are; now let's get to the carnage" kind of attitudes about them). the only time I thought "yeah, this is a comic book. I can see that" was the ending, which really wasn't the movie. the movie works without the ending, is what I'm trying to say. even though the ending isn't completely hollywood either. but it's definitely "comic bookish." never read the comic to know anything about faithfulness to the source, but it looks like the original authors were credited with work on the script.
tba, I think I really liked it. it felt a lot like
predator or perhaps
aliens if - ahem -
aliens were set on 20th century earth (yeah,
AVP: Requiem is gonna be like
30 days of night if it's good at all).
Life ducks, and you sigh.